Back in England the war naturally brought a surge in patriotism, both in drama and cinema. Music hall was one of the dominant forms in World War One. Theatre managers, newspaper editors, civic leaders and even clergymen insisted that people wanted cheering up and were not expected or even allowed to use their brains or be presented with serious matter. The war was expected to end by Christmas. Many plays were written about the suffering, but the emphasis was more on the humorous to attract the masses. Soldiers on leave flocked to the theatres with their sweethearts, eager to be amused and entertained. There were many famous performers such as Harry Lauder, Vesta Tilley dressed as a soldier, Gertie Gitana and others, all popular with troops out in the war and for soldiers and their families back home.
Amazon Lake Union
After the war, popular tastes began to change. Entertainment then preferred Charleston, jazz and syncopation. Performers would often entertain cinema audiences between films. Queues too would be entertained by dancing dogs or a man playing a banjo or accordion. Then a collection would be taken up for the soldiers and sailors. Benefit performances were held to raise money to entertain wounded soldiers; just as there were Tank Weeks, or fund raising for an ambulance.
In Girls of the Great War, Cecily, having lost the love of her life, eagerly goes to entertain the soldiers in France, filled with the need to help and overcome depression, Her sister, mother and Johnny, a drummer friend, accompanied her, a part of which proved to be a problem. I was inspired to write this because I’d been involved in amateur dramatics for much of my life. I still love the theatre, and have collected many books on the history of it and famous actors. Writing about it was a joy, and I have touched on this theme in one or two others of my books.
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