Showing posts with label family saga. Show all posts
Showing posts with label family saga. Show all posts

Monday, 22 February 2021

Free Online Event for Readers!

 Readers!! Join us for a free online event, Let's Talk About Historical Sagas 3rd March 7:30pm UK with 5 bestselling authors.

Please email writetojean@Jeanfullerton.com for details.



Monday, 13 July 2020

The Market Stall Girl released August 1st!

I'm so excited to share the news that my next historical saga is The Market Stall Girl, which will be released in Kindle ebook and paperback August 1st.

1913 Yorkshire, England.
Beth Beaumont enjoys her life as a rhubarb farmer’s daughter in West Yorkshire. Working on the family’s stall selling the fruit and vegetables grown in their own fields gives her a sense of purpose and is healthier than working in a dangerous cotton mill.
Although not thinking of marriage, when Beth meets Noah Jackson, a village miner, she is suddenly very aware of Noah as a man who could change her mind. The summer brings the two closer and their feelings deepen while Noah studies hard to fulfill his dreams of becoming a teacher and securing a better life than his parents endure.
But, a disaster at the coal mine changes lives forever. Noah’s plans are shattered. His love for Beth is put at risk, and he fears they can never find happiness together.
However, another man wants Beth. Louis Melville, the wealthy son of a local gentry family, is acutely aware of Beth’s beauty and he wants her for himself. At first, he is willing to offer marriage, but when Beth turns him down in favour of Noah, Melville, furious to be denied, wreaks revenge with devastating consequences.
Will Beth and Noah find the happiness they wish for or will overwhelming events break them apart?

#Edwardian #historicalsaga #familysaga #Wakefield #Yorkshire @amazonkindle

http://mybook.to/TheMarketStallGirl


Sunday, 1 September 2019

The first novel in the Reckoner's Row trilogy, I enjoyed writing The Orphan Daughter and getting to know the feisty dockside characters. I hope you enjoy it too :) x 

1947. Evie Kilgaren is a fighter. Abandoned by her mother and with her father long gone she is left to raise her siblings in dockside Liverpool, as they battle against the coldest winter on record. But she is determined to make a life for herself and create a happy home for what's left of her family.




Saturday, 2 February 2019

Just released!!

My new book, The Slum Angel, set in Victorian York has been released in ebook and paperback.



The Slum Angel Blurb

Orphan, Victoria Carlton is brought up by her uncle, a banker, to be a lady and make a good marriage. Yet, she is drawn to help the poor families in the slums, much to her family’s disgust. When her uncle dies suddenly, her cousins blame Victoria, and she is thrown out of the house with nothing.
Victoria flees to the poor side of York to start again in a world that is full of perils. To combat the heartache of being without her family, she befriends the destitute women and children in the slums, but such friendships come with the danger of disease, and increasing poverty, and the threat of a brutal man could cost her everything.
Can Victoria find the security she has lost? Will a certain doctor be the man she can give her heart to? Or will the ghosts of the past return to take away everything she has worked so hard for?

Purchase in paperback and ebook from Amazon.

Amazon: http://mybook.to/theslumangel

About the author:
AnneMarie Brear has been a life-long reader and started writing in 1997 when her children were small. She has a love of history, of grand old English houses and a fascination of what might have happened beyond their walls. Her interests include reading, genealogy, watching movies, spending time with family and eating chocolate - not always in that order!
Find out more about AnneMarie on her website http://www.annemariebrear.com



Friday, 26 October 2018

Grace's Courage.


Grace Woodruff fights for her sisters' rights to happiness while sacrificing any chance for her own. The eldest of seven daughters, Grace is the core of strength around which the unhappy members of the Woodruff family revolve. As her disenchanted mother withdraws to her rooms, Grace must act as a buffer between her violent, ambitious father and the sisters who depend upon her. Rejected by her first love and facing a spinster's future, she struggles to hold the broken family together through her father's infidelity, one sister's alcoholism, and another's out-of-wedlock pregnancy by an unsuitable match. Caring for an illegitimate half-brother affords Grace an escape, though short-lived. 
Forced home by illness and burdened with dwindling finances, Grace faces fresh anguish --and murder-- when her first love returns to wreck havoc in her life. All is not lost, however. In the midst of tragedy, the fires of her heart are rekindled by another. Will the possibility of true love lead Grace to relinquish her responsibilities in the house of women and embrace her own right to happiness?

Grace’s Courage - ebook/pbk
Can she protect her sisters from their evil father?
#Victorian  #Yorkshire #saga #Leeds #historical

Sunday, 25 February 2018

Researching York

I've been deep in research for the current novel I'm writing which is set in York. I've bought some books to help in getting the feel of the city again, as it's been a while since I wrote my last book set in York (for those interested Kitty McKenzie and Aurora's Pride are set in York). It's so lovely to be writing in the Victorian era again, after a few books set in WWI.
I've been studying old maps which is so helpful to figure out where my characters would live and the areas they would shop and socialise. This novel heavily features the poorer areas of the city, and it's been fascinating reading about workhouses and the slum areas.

York is a beautiful city full of history and I enjoy going there and walking the streets, and now I have the perfect excuse to keep going there - for research of course!


Saturday, 3 February 2018

New Cover for Broken Hero!

Sometimes, as much as we try, not all covers work for certain books. I found this with Broken Hero, my World War II story.
I felt the previous cover didn't reflect the genre & era very well. So a change had to happen.
Below is the new cover, which I feel is so much better.
The woman on the front cover is 'Audrey' the main character in the novel. She works really well.


The new cover will be 'live' online this week, but the print version will be a little longer, but hopefully changed before the end of the month.

With war raging, can she heal his broken heart?

#WWIIromance #99p #EastYorkshire #Bridlington


Wednesday, 24 May 2017

New Release: Where Rainbows End

Where Rainbows End





Blurb
“I’m not a man, but that won’t stop me. Just you wait and see.”
It’s 1850 and the Noble family have arrived in Australia to start a new life after scandal drove them from their native England. Headstrong Pippa Noble is determined to reclaim their honour by making her father’s plans for a successful stud farm a reality.
Pippa is immediately spellbound by the untamed outback landscape, although she learns the hard way about the unforgiving nature of the bush – sometimes with devastating consequences. When circumstance leads to Pippa tending the new farm alone, it is the steadfast friendship of neighbouring country estate owner Gil Ashford-Smith that helps her through.
Then an unexpected visitor from England arrives, putting Pippa’s dreams in jeopardy. But she refuses to let go. She will hold onto her family’s land and make her mark, even if it means losing everything else …

Excerpt:
‘Miss Noble!’
She whipped around at the urgency in Robson’s voice and blanched at the strain on his face. He skidded to a stop in front of her and pointed to the ridge. ‘Bushfire. From the west. I’ve sent Colin to saddle a horse and ride up to the road to see how far away it is. But we must prepare.’
Pippa’s mouth went dry. ‘Bush … Bushfire?’
Esther hurried back to them, her hand clasped against her chest. ‘Oh, my dear lord. What will we do?’
Robson took off his hat and scratched his head, his expression revealing his concern. ‘We must fill every bucket and wet down the buildings, starting with the grain store. I’ve already got Peter and Barney digging a hole to bury feed and harnesses. The water in the creek is too low to last for long. We’ll need to put valuables in the sawpit and cover it with wet sacking.’
Pippa’s mind went blank. He talked too fast for her to absorb his meaning. ‘Robson, please, what are you saying?’
He took a deep breath and then glanced away sharply as Colin galloped across the valley floor, the hoof beats thundering. ‘Miss, try to understand. If the fire gets into the valley, it’ll wipe out everything in its path. We must bury what we can. Once the fire reaches, if it reaches the valley ridge, we’ll all have to escape from the other side, and there’s no track there, so we can’t take the wagon. I’ll get the horses saddled. The ladies must pack only lightly.’
‘Escape?’ Esther swayed just as Hilary and Davy joined them.
Running his hands through his hair, Robson’s eyes implored Pippa to take action.
But she couldn’t move or think clearly. Bushfire. Escape. ‘It … it may not even come this way, Robson.’
‘I hope to God it doesn’t, miss.’
She swallowed, but her throat was suddenly dry. ‘But you think it will?’
He looked up at the large gum trees, their top branches swaying in the warm breeze. ‘If the wind doesn’t change, the fire will sweep over that ridge and head straight for us.’
‘But it’s not summer yet. You said bushfires came in January or February.’
‘Miss, we’ve had very little rain, and dead grass will burn whether it be the middle of winter or summer. We were spared fires last year, but all it takes is one spark to set the bush alight, and this wind will not help us.’ He shifted from foot to foot. ‘Please, miss, we cannot waste time talking. We must prepare—’
‘What of the horses? The mares are due to foal within weeks, they mustn’t be scared into bolting.’
‘I’ll get Peter to take them to the far side of the valley. If the fire breaks the ridge, he’ll take them out and head towards Mittagong.’ He gave another nervous glance at the widening plume of smoke on the horizon. ‘Please, Miss Noble, we need to act now.’
‘Yes, go. Do what must be done.’ Pippa waved him away and turned to her family. On seeing their scared and worried expressions, she hid her fear and straightened her shoulders. ‘Come, we must do as Robson says. Pack lightly or bury what you cannot carry. Quickly, now!’
As the others turned and ran back to the house, her mother stepped forward and gripped Pippa’s arm. ‘This valley, the stud, is all we have, Pippa.’
‘Yes, Mother.’ Distracted, Pippa nodded, looking beyond her towards the scurrying men.
Esther’s hand clenched Pippa’s arm like a vice. ‘No, listen to me!’
Pippa stared at her, shocked.
‘You must not let all that we have slip from our grasp. Not now we are finally finding our way out of the depths of despair. I’d not survive another disappointment.’
‘I promise I won’t let that happen.’
Her mother’s gaze remained fixed on hers. ‘If we lose the stud, that will be the end of us. The Nobles will be finished forever.’
‘I know. I’ll do everything I can to prevent it. Trust me.’ She kissed her mother’s cheek and gently pushed her in towards the house. ‘Go help pack. Take only the most important things and hurry!’
Robson, bless him, sprang into action. He ran about issuing orders that everyone instantly obeyed; even her mother showed extreme courage and did as she was told without complaint.
Pippa knew all kinds of fear. The fear of being turned out of their house when her father squandered their money, the fear of being unloved and rejected by Grant, the fear of being in the middle of a vast ocean on an insignificant ship. Yet nothing eclipsed the fear she was experiencing now.
The terror seemed tangible, as though she could taste it, reach out and touch it. She wasn’t one to panic and hated being vulnerable, but as the wind carried the smell of smoke and the sound of crackling wood, her throat closed up through pure dread.
Astounded by the enormity of losing everything she’d worked for and dreamed of, Pippa stood trance-like, unable to move or think. The noise and confusion around her dimmed.
‘Pip.’ Davy tugged at her skirts, his face pale.
For a long moment she stared at him. She didn’t realise she was frightening him until his bottom lip quivered.
‘Will we die, Pip?’
Wrenched out of her daze, she blinked as his words sank in. ‘No … No, darling.’ His hand inched into hers and she squeezed it tight. ‘We’ll be fine. I’ll take care of you.’
A shout made her jump. Colin rode like the devil towards them, waving his hat in the air. Everyone stilled and then quickly joined Pippa and Davy near the creek as Colin pulled up his horse to a skittering halt before them.
‘Well?’ Robson demanded, his body tense as he ran towards them.
Colin winced as he swallowed, his lips dry and face coated with dust. ‘It’s heading this way about four or five miles from here, maybe a mile more, but that’s all.’ He sagged in the saddle. ‘It’s coming from the direction of the Merediths’ property.’
Time froze for a second and then everyone started talking at once.
Millie stared in horror at Pippa. ‘Oh, no. Amelia and the baby, and Douglas.’
‘They might be safe. Don’t worry.’ Pippa patted her arm and then looked to Robson for direction.
‘It’s closer than I thought.’ He frowned, rubbing his fingertips across his forehead. ‘Right, we’ve got to leave the valley now. Colin, bring the work horses here for the ladies to ride.’
‘Can we not fight the fire, Robson?’ Pippa felt her heart would explode from the pain of losing it all. ‘I mean, we’ve got water at our feet. Can we not—’
‘Miss, a few buckets of water will not stand up to a bushfire. You’ve never seen one before. It’s a wild beast feasting and growing in front of your very eyes. There’s no stopping it.’
Her frustration burst into anger. ‘I will not lose this place! I will stay and fight.’
‘Don’t be silly, Pippa,’ Millie scoffed, returning to her side with a large canvas bag bulging with clothes. She took Davy’s hand. ‘We’ll do as Robson says. We must get out of harm’s way. Nothing is worth putting yourself in danger.’
A rifle shot echoed across the valley, sending birds screeching from the trees.
Pippa wheeled around to stare at their entrance into the valley, but no vehicle or horseman came dashing out of the trees at the base.
Robson scanned the slopes, shading his eyes with his hand as the sun burnt down relentlessly. ‘Someone needs help. It’s a signal.’
A shiver of trepidation ran down Pippa’s back. ‘Father,’ she whispered.
‘No!’ Esther jerked. ‘He’s in Berrima.’
Hilary, eyes wide, stepped closer to her mother. ‘But what if he had started to journey home?’

Buy links:


All Amazon Kindle sites; myBook.to/WhereRainbowsEnd

Monday, 8 May 2017

New cover for To Gain What's Lost

I just wanted to show off my new cover for my Victorian historical novel, To Gain What's Lost.
The previous cover for the book wasn't suitable and I made the decision to change it and I'm so glad I did. 
JB Graphics did a wonderful job in creating me a cover that suited the book so much better.
It takes a while for all the book stores to change over to the new cover, and it is disruptive to sales, but I feel it is worth the effort and expense.



To Gain What's Lost is available in ebook and paperback.
The ebook is only 99p - a real bargain!

Amazon Aust https://goo.gl/UYxwlZ

Monday, 6 March 2017

Number 1 on Amazon.

Last week, one of my historical novels, Aurora's Pride was free on Amazon kindle, a promotional offer by my publisher.
The results were that Aurora's Pride made it to number 1 in the free saga category!
Thank you to every one who downloaded a copy.
I hope you enjoy the story.


Aurora's Pride
1898 Yorkshire--Aurora Pettigrew has it all, a loving family, a nice home, a comfortable life. She's waiting for the right man to offer her marriage, and the man for her is Reid Sinclair, heir to the Sinclair fortune and the love of her life. But, Reid's mother, Julia, is against the match and her ruthlessness unearths a family secret that will tear Aurora's world apart.
Unwilling to bring shame on her family and needing answers to the allegations brought to light by Reid's mother, Aurora begins a long journey away from home. She leaves behind all that is familiar and safe to enter a world of mean streets and poor working class. Living in the tenements of York, surrounded by people of a class she'd never mixed with before, Aurora struggles to come to terms with the way her life has changed. 
By chance, she reconnects with a man from her past and before he leaves with the army to war in South Africa, he offers her security through marriage. Aurora knows she should be happy, but the memory of her love for Reid threatens her future. When tragedy strikes, can Aurora find the strength to accept her life and forget the past?



Amazon Australia https://goo.gl/YkZrOx

Wednesday, 25 January 2017

Isabelle's Choice - historical saga

Isabelle's Choice


Blurb
Halifax, 1876. On the death of her mother and sister, Isabelle Gibson is left to fend for herself and her brother in a privately-run workhouse. After the matron's son attempts to rape her, Isabelle decides to escape him and a life of drudgery by agreeing to marry a moorland farmer she has never met. But this man, Farrell, is a drunkard and a bully in constant feud with his landlord, Ethan Harrington. When Farrell bungles a robbery and deserts her, Isabelle and Ethan are thrown together as she struggles to save the farm. Both are married and must hide their growing love. But despite the secrecy, Isabelle draws strength from Ethan as faces from the past return to haunt her and a tragedy is set to strike that will change all of their lives forever.

Isabelle’s Choice is available for pre-order and will be released March 14th.
Amazon UK  https://goo.gl/THWIyH


Friday, 18 November 2016

Guest Author: Emma Hornby

Please welcome to the blog, guest author, Emma Hornby, who writes historical sagas set in Lancashire.


I've always had a deep passion for the Victorian era and have read sagas for as long as I can remember. Therefore, writing historical sagas was the inevitable route I took once I was hit with the author bug. I chose to set my books in Lancashire; it has such a rich and interesting history.

 I’d been researching my family tree for years and was fascinated by what I unearthed. Generation after generation lived, worked and clawed out a life in the poorest slums in Bolton and Manchester. I’d spend hours imagining what their lives must have been like, picturing these faceless characters, wondering about their struggles, their daily lives, their relationships, loves, fights, hopes and struggles. My mind was soon swamped with imaginary scenarios and I began penning down snippets, immersing myself in the research of the time. The result was a full-length novel and an overflowing trunk of ideas now sitting patiently in my mind, just waiting to be turned into a future stack of books.

A Shilling for a Wife, a gritty northern saga, is my debut novel. The eBook and hardback are now available to buy, and paperback will follow on the 23rd February. Audio and large print will be with you in the near future. My second book is out May 2017.


Blurb:

Sally Swann thought life couldn't get much worse. Then a single coin changed hands.

A dismal cottage in the heart of Bolton, Lancashire, has been Sally’s prison since Joseph Goden 'bought' her from the workhouse as his wife. A drunkard and bully, Joseph rules her with a rod of iron, using fists and threats to keep her in check.

When Sally gives birth, however, she knows she must do anything to save her child from her husband's clutches. She manages to escape, and taking her baby, flees for the belching chimneys of Manchester, in search of her only relative.

But with the threat of discovery by Joseph, who will stop at nothing to find her, Sally must fight with every ounce of strength she has to protect herself and her son, and finally be with the man who truly loves her. For a fresh start does not come without a price . . .

Amazon UK:


Amazon US:



Social media links:


https://twitter.com/EmmaHornbyBooks

Tuesday, 8 November 2016

Remembrance Day - WWII novel

On of my favourite eras to write in is World War I, however, I have written a book set in World War II.
Broken Hero was a great story to write. Audrey and Jake are wonderful characters, each with their own issues to overcome.
I hope readers enjoy it too as they commemorate Remebrance Day this year.



Blurb:
Audrey Pearson's life changed dramatically when WWII broke out and her large home, Twelve Pines on the East Yorkshire coast, became a convalescence home for wounded soldiers. Her life is no longer lavish with entertainment, beautiful clothes and surrounded by a loving family. Soldiers, physically and mentally wounded now fill her home. The smell of disinfectant replaces her mother's perfume and gone are the friends and acquaintances - instead nurses roam the hallways. 
Captain Jake Harding, a doctor training in psychiatry arrives at Twelve Pines. Audrey immediately finds herself attracted to the Captain, but he is remote towards her. Puzzled by his cold behaviour, Audrey tries to learn more about the handsome Captain. He reveals that he's lost a wife and baby in childbirth and refuses to ever remarry. 
However, despite this, Audrey believes she can change his mind and make him aware he doesn't have to spend his life alone.The ice around Jake's heart begins to melt. For years he has rejected the possibility of finding love again because of the pain it caused him before, but the beautiful Audrey shows him her love and she needs someone to love her in return. 
Could he honestly walk away from her, from the love that could be his? 


Available for Kindle and all other online forms of reading devices.
Amazon USA
Amazon UK

Also available in paperback
Amazon USA
Amazon UK

Thursday, 17 March 2016

Cover Reveal: Where Dragonflies Hover

My latest release, Where Dragonflies Hover, is a contemporary story that also features a WWI story, when Lexi, the main character finds a diary written by a wartime nurse.

Where Dragonflies Hover blurb:
Sometimes a glimpse into the past can help make sense of the future …
Everyone thinks Lexi is crazy when she falls in love with Hollingsworth House – a crumbling old Georgian mansion in Yorkshire – and nobody more so than her husband, Dylan. But there’s something very special about the place, and Lexi can sense it. 
Whilst exploring the grounds she stumbles across an old diary and, within its pages, she meets Allie – an Australian nurse working in France during the First World War.
Lexi finally realises her dream of buying Hollingsworth but her obsession with the house leaves her marriage in tatters. In the lonely nights that follow, Allie’s diary becomes Lexi’s companion, comforting her in moments of darkness and pain. And as Lexi reads, the nurse’s scandalous connection to the house is revealed …


 
Excerpt:
The late sunshine enveloped the house in a golden glow. Again, it seemed to call to her, begging for attention. A path on the left of the drive looked inviting as it meandered through a small strand of poplars. Lexi grabbed her keys, locked the car and took off to explore again. She had nothing to rush home to now, and if she got caught for trespassing, then so be it.
The overgrown pathway brought her out on the far side of the grounds near the end of a small lake. She gazed over the water towards the back of the house and noticed a paved terrace area. From there the lawn then sloped down to the water. She’d not been around the back before and fell even more in love with the property. She could imagine the serenity of sipping a cool drink on a hot summer’s day and looking out over the lake.
Lexi stepped out along the bank. A lone duck swam by, its movement serene on the glassy, dark surface. This side of the lake was in shadow from large pine trees, and she stumbled on fallen pinecones hidden in the long grass. On the opposite side of the water were some small buildings, a garage, fruit trees in early blossom, and an overgrown vegetable patch, complete with a broken, rejected-looking scarecrow.
She wandered over to a narrow shed on her left and peered through its sole, dirty window. Unable to make out much in the dimness, she walked around to the front and was surprised when she was able to pull the bolt back on the door. Why didn’t people lock things? A covered rowboat took up most of the space inside. She smiled, seeing herself rowing it on the lake. Growing more excited, Lexi edged around it to peer at the workbenches and the odd assortment of tools and useless things one found in abandoned sheds. It was like treasure hunting in an antique shop. She used to love doing that with her grandfather.
She glanced about and spied a dusty painting leaning against the wall. The scene was of a child and a brown dog. Behind the canvas were more paintings, some framed, some not. Lexi flicked through them. The ones that caught her attention she took out and set aside.
She looked for somewhere to sit and study the paintings. A small tin trunk wedged under a workbench seemed the only offering. Thinking it empty, she went to tug it out, but it remained fast.
Using both hands, she heaved it out and was showered in a puff of dust. Squatting down, she inspected the latch that was held tight with a small lock. ‘Why are you locked?’ she murmured. The shed was open to anyone passing by, yet this ugly little chest had a lock on it. The trunk was nothing special, plain and in parts rusted. No ornament or writing hinted at its use.
Intrigued, she grabbed a hammer from the workbench, but then hesitated. She had no right to open someone else’s property. Lexi closed her eyes momentarily. What was she thinking of breaking into the trunk? What am I doing? Never had she broken the law and here she was guilty of trespassing and breaking and entering! She looked around the rowboat as though expecting someone to jump out and arrest her.
Something inside urged her on. She knew she couldn’t stop now. Sucking in a deep breath, she bent and hit the lock hard. The ringing sound was loud in the quiet serenity of the garden. The metal dented and with another few solid whacks the lock gave.
Shivers of excitement tingled along her skin. Gently, she eased up the lid.

Buy links:

Also available in Apple ibooks, etc.

Thursday, 18 February 2016

Historical Women's Fiction Sale.

My historical women's fiction book, To Gain What's Lost, is about to start a three day price reduction promotion on Amazon UK and Amazon USA.
It will be on sale for .99c starting Friday 20th until Monday morning.
Amazon UK
Amazon USA


Tuesday, 3 April 2012

The Kirilov Star



THE KIRILOV STAR
Mary Nichols: www.marynichols.co.uk

The Civil War is raging in Russia and Count Kirilov decides to take his wife and two children, Andrea and Lydia, to Yalta and see them onto a ship to England. With their family jewels sewn into their clothes, he and the Countess set out in the carriage and the children and their nurse go in the droshky, driven by Ivan Ivanov. The droshky is held up by bandits and Andrea and the nurse are killed. Ivan takes Lydia to the rendez-vous but her parents never arrive. She is put into the care of Baron Simenov who is also taking his wife and son, Alexei to England. He takes her to Sir Edward Stoneleigh, a British diplomat who has been instructed to oversee the evacuation of the refugees and then leave himself. Sir Edward is left with the dilemma of what to do with her. He refuses to send her to a Russian orphanage, which are notoriously dreadful places, especially for someone who appears to be of aristocratic stock.
He and his wife are childless, something they both regret, could Lydia fill that gap? He could give her a good life, but would his wife accept her? Would Lydia later blame him for taking her from her homeland? Would the pull of her Russian roots be strong enough to make her abandon a comfortable life to go in search of them? And when it does, many years later, she finds herself in Russia at the start of the Second World War, searching for her baby son who has been abducted by his father and her situation becomes desperate.

Excerpt
Sir Edward Stoneleigh’s temporary office overlooked the harbour. He was standing at the window looking out on a seething mass of humanity, all hoping to be evacuated. Some had run along the pier in the hope of being first to board any vessel taking off refugees. There were abandoned motor cars everywhere, some with doors left open and engines still running. There was nothing worse than a mob in a panic, he told himself, unless it was an aristocratic mob, unused to discipline and orderliness. Edward could see British ships standing by to take people off, but so far the order had not come for them to come into the harbour and begin loading.
He had his own orders to see as many off as he could and then leave himself. How many could be safely taken he was not sure and if they could not all go, what order of priority was he to use? There were more ships on the way and he hoped all who wanted to leave could be accommodated.
He turned away from the window as his clerk announced Baron Simenov. Another aristocrat claiming kinship with the Tsar, he supposed, and hoping for preferential treatment. He smiled and went forward to offer his hand. ‘What can I do for you, Baron?’
Pyotr shook the hand. ‘A place on board one of your ships for myself, my wife and son would be greatly appreciated, Sir Edward.’
‘There is a protocol…’
‘I am aware of that, Sir Edward, and I would not ask to go out of turn, but I can furnish you with telling evidence that I have been of use to the British government in an intelligence capacity, for which the Bolsheviks would dearly love to shoot me.’ It was said with a hint of dry humour which Edward liked.
‘Then we shall have to see what we can arrange.’
‘That is not the only reason for my visit, Sir Edward, I have another problem. I have been asked to look after a little girl, supposedly the daughter of Count Kirilov, though I have no way of verifying that. She appears to be all alone in the world and I am at a loss to know what to do with her.’
‘There are dozens of children in Yalta who have become detached from their parents. Husbands have lost wives, wives their children. I have no idea how it will all be sorted out. What is so special about this child?’
Pyotr told him succinctly all he had learned from Stepan Ratsin, which was little enough. ‘Her parents were supposed to meet her and her brother in Simferopol, but they never turned up. I could not leave her with that uncouth peasant, and so I brought her to Yalta. According to the servant who took her to the peasant, that was where the family was heading.’
‘Has she means of identification?’
‘None at all. But she is dressed like a little aristocrat. Except for the blood stains. Her brother's and her nurse's, who were shot in front of her, so I was told.’
‘What does she say?’
‘Nothing. She has not uttered a word, except to croak her name and age. She seems to be in shock. Hardly to be wondered at, is it?’
‘No.’
‘I was hoping you might have news of the Count, or some message as to what was to be done with her. I can hardly carry her off to England when her poor parents might be searching for her. And what would I do with her when I got there?’
‘I see,’ Edward murmured. 'Where is she now?’
‘Outside in the vestibule. I have taken a room in a hotel for my wife and son. They are charging the earth for rooms and I was lucky to obtain one for all of us, but we cannot accommodate the little girl. She is, not to put too fine a point on it, somewhat smelly. You can see how we are fixed?’
Sir Edward did see. ‘You had better bring her in. I’ll see what I can find out.’
‘Thank you. And you will remember a place for us on one of the British ships?’
‘I will remember.’
They shook hands again and Pyotr fetched Lydia, his step lighter than when he arrived. Katya had always been a soft-hearted woman, but the last few months had hardened her and, like everyone else, she looked to her own safety and that of her darling son first. They had no idea who Lydia Mikhailovna was. She could be an impostor or a member of the Romanov family and, until they were safely in England, Katya would do nothing to risk being arrested; the penalties would be dire. He could hardly blame her. She would be glad the child could be handed over with a clear conscience.
Lydia was ushered into the office, more terrified and bewildered than ever. The man who had brought her here, promising to find her father, disappeared and she was left facing another man, who was still not Papa. He had a light moustache but no beard, his brown hair was parted in the middle and had a slight wave to it. His blue eyes regarded her kindly. He squatted down beside her so that he was on her level. ‘Well, Lidushka, we shall have to see what we can do to help you.’ It was said in perfect Russian, with hardly a trace of an accent. ‘Are you hungry?’
Lydia was not sure if she was hungry or not, but decided it was polite to nod that she was.
‘Good.’ He rang a bell on his desk. ‘First things first, eh?’ Then to his secretary, Richard Sandford, who had arrived in answer to his summons. ‘Richard, ask Madame Molinskaya to come here, will you? And then see if you can find out what has happened to Count and Countess Kirilov. The Count, according to the information I have been given, is a Colonel under General Wrangel. Or he was. He may have decided to call it a day. That would account for him saying he would meet his family in Simferopol. He may, of course, have assumed his daughter perished along with her brother and the nurse, so we need to reassure him on that score and tell him we have her safe.’
‘It won't be easy, Sir Edward. Everything is a complete shambles. We have tenuous communications with the White command but that is becoming more and more difficult as their posts are over-run.’
‘Do your best.’ Edward bent again to Lydia. ‘How old are you, sweetheart?’
‘Four.’
‘Four, eh? Then you are a big girl, aren't you? Perhaps you know where you live. Do you know the name of the place?’
‘Kirilhor,’ she said.
‘Where is that?’ Richard asked, but that was more than she could tell him.
‘See what you can discover,’ Edward told him.
He disappeared and a few moments later, a fat motherly Russian woman arrived and Lydia was given into her care. ‘Get those clothes off her and give her a bath,’ Sir Edward murmured, handing her Lydia's bag of clothes. ‘Then feed her and put her to bed. After that…’ He shrugged, having no clear idea of what he would do.
‘Come, golubchick’' she said, taking Lydia by the hand and leading her from the room. ‘We shall soon have you feeling more comfortable.’
‘Mama.’ It was a refrain Lydia was to repeat over and over like a mantra. ‘Where is my Mama?’
‘Sir Edward, will find out for you. You know who Sir Edward is, don’t you?’
Lydia shook her head.
‘He is the English gentleman we have just left. He is a baronet in England and what they call a diplomat. He is a very important man and very busy, so we must not trouble him if we can help it. I will look after you until we find your mama and papa. Now, you are going to be a good girl, aren’t you? A good girl for your papa and Sir Edward.’ As she spoke she led the child through the house to her own quarters above the kitchen. They consisted of a sitting room, a bedroom and a bathroom. She rang a bell and when this was answered by a maid asked her to prepare food for their guest. Then she ran a bath.
It was then the struggle began. Lydia did not want to be undressed. She was afraid the Star of Kirilov would be found and it was her bounden duty to hang onto it; Mama had told her not to let anyone see it. But Madame Molinskaya was hard to resist. She spoke softly, saying there was nothing to fear, everyone was her friend, and all the time she was unbuttoning, untying, stroking the little one’s face, reassuring her. It was when she managed to remove the bloodstained petticoat and threw it on the bathroom floor and heard the heavy thud, she realised something was hidden in it.
She picked it up again to examine it. ‘Ah, my little one, what have we here?’ The secret pocket was found and the Star extracted, while Lydia, filled with a sense of her failure, cried salty, silent tears. ‘I see it all now. This is meant to pay your way. Now, why would anyone do that unless they knew you were going to be all alone? We shall see what Sir Edward says, but for now, I shall put it here.’ She laid the jewel on a table against the wall. ‘It will be quite safe while you have your bath and some supper, and then we will take it to Sir Edward. Now into that warm water with you. There is some nice smelling soap here.’ She sniffed it and held it to Lydia's nose. ‘Violets. You like it, don’t you?’
Lydia nodded and was lifted into the bath. It was heavenly to be soaped with the luxury soap, something she had not seen since leaving Petrograd, but she remembered Tonya bathing her there and how she always enjoyed it. Her matted hair was shampooed and when that was done, she was lifted out and dried with a big fluffy white towel. This was more like it used to be, before they went to Kirilhor. Down in the bottom of her smelly bag was a nightdress which had escaped the staining. It was slipped over her head.
‘Now you are civilised again,’ Madame Molinskaya said, picking up a hairbrush from the table and, standing Lydia between her knees, began brushing the hair dry. It fell about her face in little corkscrew curls. ‘My, you are a pretty little thing.’

The Kirilov Star is out in paperback published by Alison & Busby. ISBN 9780749009496. Also available as an ebook download.

Friday, 18 February 2011



My Family.

Spiked perhaps by the TV program “Who do you think you are?” I’ve recently developed an interest in discovering my ancestors. This is because we migrated to Australia from England over four decades ago, and it will give my children and those who come after, a back-story of family history.

Seeking out deceased relatives hasn’t become an obsession with me yet, but the more I uncover the more my curiosity is piqued, and the more the feeling of kinship with those who have departed grows.

Nothing remarkable has turned up yet. Both sides of the family I’ve managed to unearth so far were housekeepers, domestic gardeners, cattle dealers, brick-makers, chauffeurs, laundry-maids, fishermen and mothers.

And goodness, were they mothers! These women did it tough, with five, nine or even a dozen kids being a fairly normal brood - and the offspring being thinned out by disease, just as normal. Life is short when measured in decades, and it makes me wonder what humanity is all about sometimes. But this is the stuff historical sagas are made of, especially those that cross generations.

I always knew my “down south” paternal grandfather was a chauffeur. I have photographs of him in his uniform at the wheel of a Rolls Royce Silver Ghost. The copy of the County of London driving licence I have for him is dated 10th April 1911, and is valid for a year. However, by digging a little deeper I discovered he was a coachman before he drove a car, something I didn’t know. I’m in awe of anyone who can stay on a horse, let alone drive a team perhaps, and with a carriage attached.

My “up north” grandfather on the maternal side owned two fishing boats and he and his sons fished the North Sea. With a family of about eleven children to feed and clothe, life must have been extremely hard and dangerous. When I met him he also had an allotment.

Despite their humble occupations, there is pathos to be discovered . . . an uncle who died in the battle of Jutland at the tender age of 17. He was a boy seaman HMS Invincible his first ship. Imagine how excited and proud he must have been when he stepped on board for the first time. Then there are several infants in various churchyards who died of God knows what.

As for my other uncles, I found a little bald patch in the research for two of them. Then I remembered talk of Irish in the family. A bit of probing and I discovered they’d been born in Ireland, for I found them as infants on the Irish Census. And that was probably when grandfather used his coachman skills.

I’ve done my share of menial jobs like being a cleaning lady, a waitress, a shop assistant, wife, and mother to four – and at one time I followed a family trait of chauffeuring people around by being a taxi driver.

Now I’m an author . . . a saga writer, and that’s what I’d rather be remembered for – my creative input rather than my practical skills.

Snooping into the lives of the ancestors has given me lots of ideas for novels. I wonder . . . will a fall of the genetic dice produce a set of DNA similar enough to mine to create another author? Then again, there might already be one out there that I haven’t found. I guess I’ll just remain the odd one out on the family tree until I discover different.

Janet Woods

Saturday, 13 November 2010

Kitty McKenzie

Here is an excerpt of my Victorian historical, Kitty McKenzie, which is out in both ebook and print and available from Amazon.com and amazon.uk and The Book Depository which has free postage worldwide.


Blurb

1864 - Suddenly left as the head of the family, Kitty McKenzie must find her inner strength to keep her family together against the odds. Evicted from their resplendent home in the fashionable part of York after her parents’ deaths, Kitty must fight the legacy of bankruptcy and homelessness to secure a home for her and her siblings. Through sheer willpower and determination she grabs opportunities with both hands from working on a clothes and rag stall in the market to creating a teashop for the wealthy. Her road to happiness is fraught with obstacles of hardship and despair, but she refuses to let her dream of a better life for her family die. She soon learns that love and loyalty brings its own reward.

Excerpt.
 Kitty caught her breath at the magnificence of Kingsley Manor. In comparison, her old home, although large, looked like a poor cousin. When they arrived, Benjamin’s parents were out visiting after Sunday morning church service. Alone, Benjamin gave her a private tour of the house. In each superbly decorated room, he stopped and kissed both her hands until it became a game and their laughter echoed throughout the house.
 However, Kitty’s first impression of the beautiful Georgina Kingsley chilled her. The woman wore a frozen expression of horror on her face the moment she looked at Kitty. Distressed, Kitty lowered her gaze and fumbled with her black skirts. She wore the best clothes she owned, her black skirts and cream blouse, but her crinoline was bought from the market and her black lace gloves possessed the glassy shine of frequently washed clothing.
 After introductions, Benjamin’s father, John, took Kitty’s hand and led her into the conservatory. A maid waited by a table laden with a silver tea service and silver stands filled with dainty little cakes and sandwiches.
 “So, Miss McKenzie, Ben informs us you have started a business?”
 “Indeed I have, Mr. Kingsley, tearooms.” Her lips thinned into a tight smile.
 They were all aware of Georgina’s intake of breath.
 “It is a rare thing, a young woman going into business by herself. It must have been quite a decision to make.” John Kingsley’s gaze didn’t waver as he looked at her.
 “Upon my parents’ deaths we were left with vast debts that took everything we owned to pay off. For my siblings and myself to survive, I needed to acquire a living for us all.”
 Georgina put down her teacup and saucer. Her cold, blue eyes narrowed. “Surely there are relatives who could have helped…your…er…situation?”
 "I’m afraid we don’t have a large quantity of relatives. No one offered to help us. There was very little we could do, but sell everything.” Such intimate talk of her family unnerved her. She wished the conversation would turn to a much lighter subject.
 “Did you not find that odd, your relatives turning away from you?”
 “I hardly think that distant relatives, whom we rarely saw, should have to alter their lives to suit us.” Kitty hated the woman for making her defend the people who ignored her pleas for help.
 “And how many are there of you, Miss McKenzie?” Georgina raised an eyebrow. She wore her disgust like a cloak.
 “I’m the eldest of seven, Mrs. Kingsley.”
 “My, my, so many of you. So, where do you live now?” Georgina flicked an imaginary speck of dust from her beautiful, gray, raw silk dress with its crinoline so wide they had to move the chairs to accommodate it.
 "We are to live above the tearooms, Mrs. Kingsley.” She felt like a noose hung around her neck and with each look and question from Georgina Kingsley the knot tightened.
 “How extraordinary. To live above one’s own shop.” Georgina didn’t hide the foul look she directed at her son.
 He turned away to smile at Kitty. “Of course, it will only be temporary, until I return from the colony. Then we shall be married.”
 Georgina paled and her hand shook as she reached for her teacup and saucer. Kitty wasn’t sure whether it  was due to shock or anger.
 John Kingsley stood and held out his arm for Kitty. “Come, Miss McKenzie, let me show you the gardens and my fine hunters. They are the best in York I assure you.”
 When John and Kitty exited the conservatory, Ben stood abruptly and faced his mother. “How dare you,” he ground out through clenched teeth, his whole body rigid with anger.
 Unperturbed, Georgina sat quietly drinking her tea. “How dare I?” she asked with laced sarcasm. “My dear, I don’t know what is troubling you.”
 “Why must you behave in such a way? She is going to be your daughter-in-law. It wouldn’t have hurt too much for you to be kind to her and make her feel at ease. Instead of treating her like she was something a cat dragged in!” Ben’s chest heaved.
 “She is not one of us, my dear. Your union would be a most drastic mistake.” Calmly, Georgina leaned over and selected a small tart from the cake stand.
 “That is where you are wrong, Mother! She is one of us. Her father was a doctor, her mother a lady. They lived well and entertained many of the people you do.”
  “No, my dear. They were never one of us, for we wouldn’t have let our children be thrown onto the streets upon our deaths.” Georgina contentedly nibbled her tart, secure in the knowledge of her own wisdom.
  “Bankruptcy can touch anyone, Mother, even the Kingsleys.”
  “Benjamin, you do realize I recall the McKenzies, especially the wife? I cannot recall her name, however.” Georgina’s wave was dismissive. “I was introduced to her some years ago at a party. And let me inform you, she was one of the most vulgar women I have yet to meet. She was loud and dreadfully flirtatious. She was attractive, I’ll acknowledge that, but she was no lady.”
 “I don’t care a jot, Mother. It is Kitty, not her parents, who I shall be marrying.”
 “Then you are a fool and you will be ruined because of it.” Georgina glared.

Find out about Anne's books on Amazon.Uk
 http://www.amazon.co.uk/Anne-Whitfield/e/B002BLN8LY/ref=sr_tc_2_0?qid=1289643315&sr=1-2-ent